News & Reviews
Highlights from Kuala Lumpur Fashion Week 2024
The week-long event was a melting pot of tradition and youthful sensuality
Vetyver Spring/Summer 2024 Collection
Capsule 3: Sodium explores the culture of exercise in 90s Singapore
Through the Grapevine: July
Sonderlab, Sejauh Mata Memandang, Gongdid Design, and more
Occasional Obsessions: The Jewellery Edit
Contemporary jewellery designers to the rescue in this Southeast Asian heat
Through the Grapevine: June
Regional happenings in the next few weeks of June
Through the Grapevine: May
Fashion & Market’s recap on May’s note-worthy regional fashion movements
Occasional Obsessions: A short film we rewatched over and over
Elizabeth Gabrielle Lee’s debut film, Tropic Temper, explores a visual language that subverts the very Singaporean need for perfect control
Visiting the International Library of Fashion Research
National Museum of Art, Architecture and Design in Oslo, Norway
My Own Words: Xingyun Shen
Pursuing a critical fashion education and practice
Conversation with Textile Conservator Chuance Chen
The practice of textile conservation in Singapore
Magazine For Young Girls
Highlighting narratives from Asian diasporic communities
Through the Lens: Nicholas See
Deconstructing masculinity with Buddhist symbolisms
My Own Words: Angelene Wong
Body and movement, fashion and dance
ALIVEFORM by Comme Conception
Footwear innovation with 3D printing
The School of Fashion at The LASALLE Show 2023
LASALLE College of the Art’s School of Fashion graduation showcase
Brian Gothong Tan: The Lee Brothers Studio 2065
Singapore multimedia artist’s approach to artificial intelligence art
Through the Lens: Gagandeep Singh
Exploring Sikhism and queerness through film
My Own Words: Weiqi Yap
Fashion on Display in Singapore
Review of ‘Veneer and Visage’ at Supper House
Esther Choy, Hafizah Jainal, Phua Juan Yong, Rachael Cheong, Samuel Xun, Y A
A Critical Snapshot of Singapore Fashion Journalism in 2021
Vogue Singapore, Harper’s Bazaar Singapore, Elle Singapore, Female Singapore, and L’Officiel Singapore
Review of ‘Luxury 2.0: Drape, Structure and Digitality’
School of Fashion at LASALLE College of the Arts